Go-Betweens – Lee Remick // Karen (Able Label) 1978. Those familiar with the later “critical-darling” phases of The Go-Betweens will be somewhat shocked to hear this early 7inch by the Brisbane based pop band and discover that they were, at their inception, a minimalist Modern Lovers type combo. Karen in particular, is a two chord opus which name-drops Bertolt Brecht, Jean Genet and James Joyce while remaining completely primitive and innocent at the same time much like the sort of thing Jonathan Richman did. The similarity is not all coincidence either, as both combos were highly influenced by the Velvet Underground as opposed to the Stooges. The rhythm section for this phase of The Go-Betweens were Lissa Ross on drums and Tim Mustapha on bass and like Mo Tucker, they keep things very simple. Over the top, Robert Forster and Grant McLennan hit basic guitar chords while rattling off their childlike lyrics about two girls they have crushes on. One of these girls is the actress Lee Remick, who I am most familiar with as the tormented mother in the original version of The Omen. It’s kind of odd hearing a love song to Lee Remick because when I came of age, she was this older lady who made lots of made-for-TV movies. I for one never thought of Lee Remick as an object of affection but Grant and Robert did. They thought she was “a darlin’” and judging by some younger photos I found of her on the web, I guess I can understand. I woulda probably wrote songs for Lynda Carter and Julie Newmar but hey, I dig chicks with super powers.
RIP Last Days of Man on Earth
Last Days of Man on Earth was a music blog run by Joe Stumble between 20th of February, 2006 and 1st of April, 2011. It now exists as an online archive and testament to awesomeness. ALL MP3s were removed some time ago. Drop Joe a line if you have any questions at joe@lastdaysofmanonearth.comFind Stuff
Hardcore Podcasts
September of 2010 I put together eight Hardcore Podcasts. You can check them out here if you are interested. For more insight into how I came up with the years 78-90 for the First Wave you can read about The Hardcore Superiorty Myth.Last Days Legacy
- April 2011 (2)
- March 2011 (4)
- February 2011 (6)
- January 2011 (6)
- December 2010 (2)
- November 2010 (14)
- October 2010 (4)
- September 2010 (10)
- July 2010 (2)
- June 2010 (5)
- May 2010 (4)
- April 2010 (3)
- March 2010 (6)
- February 2010 (5)
- January 2010 (5)
- December 2009 (6)
- November 2009 (6)
- October 2009 (6)
- September 2009 (5)
- August 2009 (11)
- July 2009 (5)
- June 2009 (7)
- May 2009 (9)
- April 2009 (9)
- March 2009 (8)
- February 2009 (8)
- January 2009 (2)
- December 2008 (12)
- November 2008 (4)
- October 2008 (12)
- September 2008 (2)
- August 2008 (11)
- July 2008 (7)
- June 2008 (12)
- May 2008 (4)
- April 2008 (15)
- March 2008 (7)
- February 2008 (8)
- January 2008 (15)
- December 2007 (15)
- November 2007 (4)
- October 2007 (5)
- September 2007 (8)
- August 2007 (5)
- July 2007 (3)
- June 2007 (10)
- May 2007 (7)
- April 2007 (13)
- March 2007 (7)
- February 2007 (10)
- January 2007 (6)
- December 2006 (7)
- November 2006 (3)
- October 2006 (10)
- September 2006 (6)
- August 2006 (11)
- July 2006 (6)
- June 2006 (8)
- May 2006 (4)
- April 2006 (1)
- March 2006 (3)
- February 2006 (3)

Never heard this one… Thanks!!!
Tunes are OK… but Julie Newmar…. mmmmmmmmmmmmmmm
yeah – this always charmed with its rough & readyness…I like the later stuff too, but sometimes it is just too twee & 80′s sounding. Local Brisbane band The Grates did a great cover of Lee Remick on a Go Betweens tribute album in 2008 that is also a fine thing.
Wow, not sure I’d ever heard this! Which is saying much, as I’m sure I was played every G-B album…my wife and I became friends with good friends of the band, to the point of spending 6 weeks in Australia visiting them–hence the full body immersion!
The guy was the original bass player for the Plug Uglies, whose 12″ EP “Knock Me Your Lobes” was pretty great.
Speaking of great Australian albums, everyone is probably familiar with Ed Kuepper and his various incarnations (The Saints; The Aints; Laughing Clowns; as well as various solo work). Much of this was never to my taste (my faulty taste, no doubt) but if you ever get a chance, snag his 1990 solo album “Today Wonder”–an intensely beautiful stripped down work featuring just the man and his guitar (with some unusual effects) and a cardboard box for a drum. It’s mind-blowing.
Hi Joe, I adore these songs, never get tired of them – I know ‘em from the Abel Label singles 12″ which had this single and ‘People Say’/ ‘Don’t let him come back’ on the flip. Truly ”Perfect Pop”. Also a big fan of the Send me a Lullaby LP too, less so with anything else I’ve heard by them. Always enjoy yer posts – good to see you’re a Flying Nun fan too!